Tuesday, 30 March 2010

M4SK 22

I haven't posted here for a while because I have been busy with my latest project, the collaboration with my old friend Simon Woolham. We are called M4SK 22 and we are making music and images; we are a pop duo!
We have a blog here! m4sk22.blogspot.com/
I love the fact this blog has comments even though I don't understand them I will get translations soon, let's hope they are not derogatory :)

Friday, 19 February 2010

the city of cardboard robots


music by woolham and moss
images by simon and david and rodger

Tuesday, 9 February 2010

the wythenshawe wizard


occult home movie
music and images by david moss and simon woolham

Sunday, 24 January 2010

Downside up (simon remixed) by mung function

Downside up (simon remixed)  by  mung function

seeland

january 2010

Kenny in G

Artists go to art school, and learn how to be an artist as defined by the institutions that surround the situation of art. This system of art serves a narrow public, and the artists succeed only within that system, which is alien to the rest of the world who are as capable of receiving the communication of artists, but who are excluded from the first brush stroke to the last nail on the gallery wall; and only included as an extra, because the art isn't made for them, it is made for us; the ones who went to art college. It is sad, because there is a huge invisible fence surrounding these artists. They are in an imagined compound and are imprisoned by their own easy acceptance of the narrow path, the path of most flaccid approbation. On the other side of the fence there is a world where art has always co existed, and is necessary, and is shared by millions. The art world wants to keep the division, to justify it's exclusivity, because the art world depends on pretending it contains an avant garde; whereas it only temporarily can claim any leading edge, most of the avant garde soon leave the art world behind as they realise that it is sterile and backwards. One great myth that artists like to believe is that the world of design feeds off the work of fine artists, whereas, it has always, always, always been the other way round...design necessitates itself, fine art is the unnecessary twin, kept in the attic or the cellar. Personally I can't understand why any artist would expend energy to put their work in an art gallery to be seen by other artists and associated social peers, when there is a huge wide world of possibility to do something necessary with art, to force the encounter with the public beyond the upper middle class art world.


Kenny in G
music by myself and simon woolham, my longtime collaborator.


Wednesday, 6 January 2010

Thru Metamorphic Rocks






2010 started as busy as 2009 ended, life gets faster and full, no time to waste...